Play Along Piano

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chorus

Stephen Foster Hard Times Come Again No More

Sam Pflugrath

5:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	17	1	4	91%
		19	4	2	3	90%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	17	1	4	91%
		19	4	2	3	90%
Voice		8	0	1	6	58%
Alto		7	0	1	6	19%
Bass		4	0	0	6	19%
Soprano		8	0	1	6	19%
Tenor		5	0	1	6	19%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
Hoffmann		14	0	3	6	75%
B		10	2	1	3	25%
T		11	10	2	3	25%
S		11	5	1	3	24%

Chiquilin de Bachin (Coro para Voces, Cuerdas y Vientos)

Daljin

4:01	Est. Play Time
111	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		17	0	5	5	95%
Soprano		15	0	5	5	84%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		17	0	5	5	95%
Soprano		15	0	5	5	84%
Bass		17	8	5	5	75%
Alto		18	9	6	5	63%
Tenor		18	4	5	5	58%
Violoncello I		16	3	2	3	36%
Flute I		18	0	5	5	33%
Violoncello II		10	4	1	5	25%
Oboe		11	0	1	5	18%
Flute II		16	0	6	4	15%
English Horn		5	0	0	3	11%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	2	5	92%
Bass		15	0	3	5	92%
Soprano		12	0	3	5	92%
Tenor		10	0	1	6	92%
Continuo		23	36	5	4	70%
		21	39	4	4	72%
Fagott, Bassoon		16	0	2	3	68%
Violins, Viola		13	0	1	3	68%
Violins, Violin I		13	0	3	5	68%
Violins, Violin II		13	0	2	3	68%
Violoncellos, Cello		16	0	2	3	68%
Oboe, Oboe		10	0	2	4	59%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

Gounod, Messe aux chapelles: Agnus Dei

Mélisande

1:38	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	14	2	4	100%
		15	8	2	3	99%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	14	2	4	100%
		15	8	2	3	99%
B		12	4	1	5	86%
T		12	4	1	5	86%
A		11	0	2	5	67%
S		11	0	1	5	67%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 7/16 Acte 1 : Coro Scena 5 : È verissimo

Papibois

4:08	Est. Play Time
159	Measures
	1,169Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	37	5	4	93%
		20	14	1	3	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	37	5	4	93%
		20	14	1	3	98%
Dulcamara		11	0	1	3	69%
Soprano 1		11	0	2	3	54%
Basse		12	0	1	3	54%
Soprano 2		12	0	2	3	54%
Ténor 1		11	0	2	3	54%
Ténor 2		10	0	2	3	54%

There's a Wideness in God's Mercy

Marco5

0:16	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	12	2	3	100%
		13	15	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	12	2	3	100%
		13	15	2	3	100%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

75. Ein' feste Burg ist unser Gott, J.S. Bach, Luther. B.A. 39. No 50. BWV 303.

SDG

0:55	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 15/16 Acte 2 : Coro Scena 6 (fine) - SOPRANO 1

Papibois

0:46	Est. Play Time
59	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	14	4	3	100%
		33	31	9	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	14	4	3	100%
		33	31	9	3	100%
Dulcamara		9	0	2	4	71%
Giannetta		14	0	4	5	71%
Nemorino		7	0	0	3	71%
Adina		10	0	2	3	69%
Soprano 1		9	0	4	4	66%
Soprano 2		8	0	2	4	66%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

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